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A Study of "Appropriation" in Contemporary Ceramics -Focus on the Works after The Funk Ceramics in 1960s
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The diverse __EXPRESSION__s of which Post-Modernism borrows have commons basically in the results of dissolving impulse. The typical borrowing __EXPRESSION__ represented by parody and pastiche is not only the challenge of creativity and authentication which modernism worships but also accordance with images to significatum and totalization which modernism denies and dissolves will itself, which is considered as reappearance of understanding the art of Post-Modernism. Like proving it, as the expansion of Post-modernism of transcending limitation, traversing large areas and combining accelerates, the borrowing __EXPRESSION__ of modern art which transfers materials, techniques, forms, subjects and unlimitedly creates new images and argument of modern arts and spreads. Under the expansion of borrowing __EXPRESSION__ by modern arts, modern art also is evolving into different form clearly with old ceramic arts through borrowing __EXPRESSION__ like parody and pastiche. If old ceramics has strived for skillful techniques and property of matter in materials as objects with functionality for long time, modern ceramists move to newly meaning areas not only by looking into modeling methods inherent in icons of traditional ceramics and norms, history, culture, ideology but also by newly interpreting through diverse objects and techniques. It is exorable that the varied images add from myth, art history, high and low culture and diverse material and techniques combine. Will and strategy of ceramic artists who try to go over limitation are contained that the borrowing trend of modern art demolishes pureness of media and genre by mixing and crossbreeding and recovering context hidden inside. The borrowing __EXPRESSION__ of modern artists who differentiate figures by esthetic target and interpretation can be seen important that the area of modern ceramic arts enlarges and the freedom of __EXPRESSION__ is acquired.
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