µµÁ¦ ½Ç³»¿ë º®ºÎµî Á¦ÀÛ¿¡ °üÇÑ ¿¬±¸
Study on the Production of the Interior
Ceramic Wall Lamp
È«ÀÍ´ëÇб³ »ê¾÷¹Ì¼ú´ëÇпø µµ¿¹°ú
ÀÓ¼ººó
The discovery of light can be taken as the greatest factor for the development
of human civilization. Human treatment of fire has allowed the extension of life
to be expanded even after sunset and an artificial source of light also has
begun to develop for the convenience of life.
Civilization and illumination
developed together in mutually cooperative relation and I guess that they will
continue to develop in the future. Today, illumination is being highlighted as a
decorative element affecting even psychological stability and enriching life as
well as the simple function of brightening only darkness.
Alvin Toffler, a
futurist, said that the new millenium would become the summit of information
society, the Third Wave. Only after a few years, the Internet supplied made
human life more convenient and mankind demanded more than the thing.
Material
abundance for maintaining livlihood and mental abundance coexists when man
pursues happiness. He will need exceptional, rare, peculiar and particular
things rather than what many people possess or expensive things.
Such trend
causes the inevitable changes in the field of the design and of ceramic
lighting. Thus, this thesis focuses on producing original ceramic lighting
combining functionality with decorativeness.
This thesis tried to concentrate
on studying 'wall lamp' as indirect lighting called 'bracket' among various
forms of lightings with abundant environment which can be created in living
space. For this, I surveyed and made a general investigation into the data and
literature about lighting, and understood the kinds and classification methods
of lighting and so on. After that, I examined Korean ancient lamps and modem
ceramic lamps, investigated the functions of living space, a base of life, and
examined the changes and advantages resulting from installing wall lamp. And I
drew up a tentative plan for this work by using the image of wall in the
philosophical and historical senses obtained from the experience of this
researcher.
This work stressed the image to express by using primarily plate
molding and wheel throwing, and Terra Sigillate mixed with highly fire-resistant
pigment.
In addition, this thesis tried to produce a ceramic wall lamp with
the value as a superior craft and present its possibility in lighting market
where lighting uniformed in mass production system accounts for most of
percentage.
Àηù ¹®¸íÀÇ ¹ß´Þ¿¡ ´ëÇÑ °¡Àå Å« ¿äÀÎÀ¸·Î 'ºûÀÇ ¹ß±æ'À» µé ¼ö ÀÖ´Ù. Àΰ£ÀÌ ºÒÀ» ´Ù·ç°Ô
µÊÀ¸·Î½á Àϸô ÈÄ¿¡±îÁöµµ »ýÈ° ¿µ¿ªÀÌ È®ÀåµÇ¾úÀ¸¸ç »ýÈ°ÀÇ Æí¸®ÇÔÀ» À§ÇØ Àΰø±¤¿øÀÌ °³¹ßµÇ±â ½ÃÀÛÇß´Ù.
¹®¸í°ú Á¶¸íÀº »óÈ£ Çù·Â °ü°è¿¡¼
ÇÔ²² ¹ßÀüÇßÀ¸¸ç ¾ÕÀ¸·Îµµ °è¼Ó µÇ¾îÁú °ÍÀ̶ó ÃßÃøµÈ´Ù.
¿À´Ã³¯ Á¶¸íÀº ¾îµÒ¸¸À» ¹àÈ÷´Â ¼Ò±ØÀûÀÎ ±â´ÉÀ» ¹þ¾î³ª ½É¸®Àû ¾ÈÁ¤¿¡±îÁö ¿µÇâÀ»
¹ÌÄ¡°í, »ýÈ° ȯ°æÀ» dz¿ä·Ó°Ô ÇÏ´Â Àå½ÄÀû ¿ä¼Ò·Î °¢±¤¹Þ°í ÀÖ´Ù.
¹Ì·¡ÇÐÀÚ ¾Ùºó ÅäÇ÷¯ (Alvin Toffler)´Â 2000³â´ë¸¦ Á¦
3ÀÇ ¹°°áÀÎ Á¤º¸È »çȸÀÇ ÃÖ°í Á¤Á¡ÀÌ µÉ °ÍÀ̶ó°í Çß´Ù. ºÒ°ú ¸î ³â »çÀÌ¿¡ ÀÎÅͳÝÀÇ º¸±ÞÈ·Î »ýÈ°Àº Æí¸®ÇØÁ³°í Àηù´Â ¶Ç ´Ù¸¥ ¹«¾ð°¡¸¦
ÇÊ¿ä·Î ÇÏ°Ô µÇ¾ú´Ù.
Àΰ£ÀÇ ÇູÃß±¸¿¡´Â »ý°èÀ¯Áö¸¦ À§ÇÑ ¹°ÁúÀÇ Ç³¿ä·Î¿ò ÀÌ¿Ü¿¡ ¸¶À½ÀÇ Ç³¿ä·Î¿òÀÌ µ¿½Ã¿¡ ¶È°°ÀÌ Á¸ÀçÇÑ´Ù. ´Ù¼ö°¡
¼ÒÀ¯Çϰųª °ªºñ½Ñ °Íº¸´Ù´Â, ¿¹¿ÜÀûÀÌ°í Èñ±ÍÇϸç, µ¶Æ¯ÇÏ°í, »ö´Ù¸¥ °ÍÀ» ÇÊ¿ä·Î ÇÒ °ÍÀÌ´Ù.
ÀÌ·¯ÇÑ È帧¿¡ µû¶ó µµÁ¦ Á¶¸íµîµµ µðÀÚÀΰú
±â´ÉÀÇ º¯È°¡ ºÒ°¡ÇÇÇÏ°Ô µÇ¾úÀ¸¸ç ±â´É°ú Àå½Ä¼ºÀ» °âÇÑ µ¶Ã¢ÀûÀÎ µµÀÚÁ¦ Á¶¸íÀ» Á¦ÀÛÇØ º¸·Á´Â °ÍÀÌ ÀÌ ÀÛÇ° ³í¹®ÀÇ ÃëÁöÀÌ´Ù.
º» ³í¹®Àº
¿©·¯ °¡Áö ÇüÅÂÀÇ Á¶¸íµî Áß¿¡ °£Á¢ Á¶¸íÀ¸·Î½á ÁÖ°Å°ø°£ÀÇ Ç³¿ä·Î¿î ȯ°æ¿¬ÃâÀÌ °¡´ÉÇÑ 'ºê·¡Å¶(bracket)' À̶ó ºÒ¸®´Â 'º®ºÎµî' À»
Áß½ÉÀ¸·Î ¿¬±¸ÇÏ°íÀÚ ÇÏ¿´´Ù. À̸¦ À§ÇÏ¿© Á¶¸í¿¡ ´ëÇÑ ÀÚ·á¿Í ¹®ÇåÀ» Á¶»çÇÏ¿© ÀϹÝÀûÀÎ °íÂûÀ» ÇÏ¿´À¸¸ç Á¶¸íÀÇ Á¾·ù¿Í ºÐ·ù ¹æ¹ý µîÀ» ÀÌÇØÇÑ ÈÄ,
¿ì¸®³ª¶óÀÇ °íµî±â¿Í Çö´ëÀÇ µµÁ¦µî±â¸¦ »ìÆ캸°í »îÀÇ ±Ù°ÅÁöÀÎ ÁÖ°Å°ø°£ÀÇ ±â´É¿¡ ´ëÇØ °íÂûÇÏ¿© º®ºÎµîÀÇ ¼³Ä¡¿¡ µû¸¥ º¯È¿Í ÀÌÁ¡µéÀ» »ìÆ캸¾Ò´Ù.
±×¸®°í º» ¿¬±¸ÀÚÀÇ °æÇè¿¡¼ ¾ò¾îÁø öÇÐÀû, ¿ª»çÀûÀÎ Àǹ̿¡¼ÀÇ £¼º®£¾ÀÇ À̹ÌÁö¸¦ ÀÌ¿ëÇÏ¿© º» ÀÛÇ°ÀÇ ½Ã¾È(ãËäÐ)À» ¸¶·ÃÇÏ¿´´Ù.
º»
ÀÛÇ°¿¡¼´Â ÁÖ·Î ÆÇ ¼ºÇü°ú ¹°·¹ ¼ºÇü¹æ¹ýÀ» ÀÌ¿ëÇÏ°í °íȵµ ¾È·á¸¦ È¥ÇÕÇÑ Å׶ó½ÃÁú¶óŸ¸¦ »ç¿ëÇØ ³ªÅ¸³»°íÀÚ ÇÏ´Â º®ÀÇ À̹ÌÁö¸¦
°Á¶ÇÏ¿´´Ù.
º» ÀÛÇ° ³í¹®Àº ÀÏÇ°°ø¿¹·Î½áÀÇ °¡Ä¡¸¦ °¡Áø µµÀÚÁ¦ º®ºÎµîÀ» Á¦ÀÛÇÔÀ¸·Î½á ´ë·®»ý»ê ü°èÀÇ È¹ÀÏÈµÈ Á¶¸íµîÀÌ ´ëºÎºÐÀÎ
Á¶¸í½ÃÀå¿¡¼ÀÇ °¡´É¼ºÀ» Á¦½ÃÇÏ°íÀÚ ÇÏ¿´´Ù.