ACADEMIC DATA

Çмú³í¹®

°Ô½Ã±Û °Ë»ö
[³í¹®] ½Ä¹°ÀÇ À̹ÌÁö¸¦ ¼ÒÀç·Î ÇÑ ÀÛÇ° Á¦ÀÛ¿¡ °üÇÑ ¿¬±¸
2013-08-30 (±Ý) 10:30 Á¶È¸ : 2677
 
 
 
½Ä¹°ÀÇ À̹ÌÁö¸¦ ¼ÒÀç·Î ÇÑ ÀÛÇ° Á¦ÀÛ¿¡ °üÇÑ ¿¬±¸
Study on Symbols Expressed in Works with the Motif of Plant Images
 
 
È«ÀÍ´ëÇб³ ´ëÇпø
µµ¿¹°ú ¾çÁ¤¼÷
 
 
 
We see objects in two angles: One is to see within the line of vision and understand the object and another is to see objects subconsciously or unconsciously. Owing to the latter angle of vision, we seek meaning or symbols other than the object itself from formative objects. Through ideas and emotion of workers, objects in artistic works turn into symbols representing other meaning beyond simple imitation.
This study is intended to approach plant images as expressing media and to express plants as symbolic media rather than reproduce them as they are.
In Chapter 1, this study examined plant images expressed in Western still life pictures and Eastern pictures of flowers and birds in the aspect of formativeness of plants.
In Chapter 2, such symbolist artists as Georgia O' Keeffe and Judy Chicago who metaphorically expressed femininity, Giuseppe Arcimboldo who satirized power, Joseph Stella who drew desire as glee and Henri Rousseau who represented the world of fantastic dreams were selected to examine symbolic meaning of plants expressed in their works.
Chapter 3 was dedicated to the presentation of the author's work that was produced with the motif of plant images based on the result of this study as stated in Chapter 2.
 
 
 
  • ¿ì¸®µéÀÌ »ç¹°À» º¸´Â ½Ã°¢Àº µÎ °¡Áö Ãø¸éÀÌ ÀÖ´Ù. ÇÑ ¸éÀº ½Ã¼± ¾È¿¡¼­ º¸°í ÀÌÇØÇÒ ¼ö ÀÖ´Â ¹üÀ§À̸ç, ´Ù¸¥ ÇÑ ¸éÀº Àΰ£ÀÇ ÀáÀçÀû ÀÇ½Ä ¶Ç´Â ¹«ÀǽÄÀû º»´ÉÀ¸·Î º¼ ¼ö ÀÖ´Â ¹üÀ§ÀÌ´Ù.
    ÈÄÀÚÀÇ ½Ã°¢À¸·Î ÀÎÇØ ¿ì¸®´Â Á¶Çü¹° ¼Ó¿¡¼­ ±× ÀÚü°¡ ¾Æ´Ñ ´Ù¸¥ ÀǹÌ(»ó¡)¸¦ º¸·Á°í ÇÑ´Ù. µû¶ó¼­ ¿¹¼ú ÀÛÇ° ¼Ó¿¡¼­ ´ë»óÀº ´Ü¼øÈ÷ ¸ð¹æÀÌ ¾Æ´Ñ ÀÛ°¡ÀÇ »ç»ó°ú Á¤¼­¸¦ ÅëÇØ ´Ù¸¥ Àǹ̸¦ ³»Æ÷ÇÏ´Â »ó¡¹°ÀÌ µÇ´Â °ÍÀÌ´Ù.
    º» ¿¬±¸¿¡¼­´Â ½Ä¹°À̹ÌÁö¸¦ Ç¥Çö¸Åü·Î¼­ Á¢±ÙÇغ¸°í, ½Ä¹°À» ±×´ë·Î ÀçÇöÇÏ´Â °ÍÀÌ ¾Æ´Ñ »ó¡Àû ¸Å°³¹°·Î ÀνÄÇÏ¿© Ç¥ÇöÇϴµ¥ ±× ¸ñÀûÀ» µÎ¾ú´Ù.
    º»¹®ÀÇ ³»¿ëÀº,
    1Àå¿¡¼­´Â ½Ä¹°ÀÇ Á¶Çü¼ºÀ» »ìÆ캸°í, ¼­¾çÀÇ Á¤¹°È­¿Í µ¿¾çÀÇ È­Á¶È­(ü£è¡ûþ)¾È¿¡¼­ Ç¥ÇöµÈ ½Ä¹°À̹ÌÁö¸¦ »ìÆ캸¾Ò´Ù.
    2Àå¿¡¼­´Â »ó¡ÁÖÀÇÀÇ °³³ä°ú ´ëÇ¥Àû ÀÛ°¡¸¦ »ìÆ캸¾ÒÀ¸¸ç, ½Ä¹°ÀÇ »ó¡Àû ÀÇ¹Ì ¹× ±× ¼Ó¼ºÀ» Ç¥ÇöÇÏ°í ÀÖ´Â ÀÛ°¡·Î, ¿©¼º¼ºÀ» ÀºÀ¯ÀûÀ¸·Î »ó¡ÇÑ Á¶Áö¾Æ ¿ÀÅ°ÇÁ(Georgia O'keeffe), ÁÖµð ½ÃÄ«°í(Judy Chicago), ±Ç·ÂÀ» dzÀÚÀûÀ¸·Î »ó¡ÇÑ Áê¼¼Æä ¾Æ¸£Å´º¼µµ(Giuseppe Arcimboldo), ȯÈñ·Î¼­ÀÇ ¿å¸ÁÀ» »ó¡ÇÑ Á¶¼Á ½ºÅÚ¶ó(Joseph Stella), ȯ»óÀû ²ÞÀÇ ¼¼°è¸¦ »ó¡ÇÑ ¾Ó¸® ·ç¼Ò(Henri Rousseau) µîÀ» ¼±Á¤ÇÏ¿© ÀÛÇ° ¼Ó¿¡ ³ªÅ¸³ª´Â »ó¡Àû Ç¥ÇöÀ» ÀÌÇØÇÏ°íÀÚ ÇÏ¿´´Ù.
    3Àå¿¡¼­´Â 2ÀåÀÇ ¿¬±¸°á°ú¸¦ ¹ÙÅÁÀ¸·Î Á¦ÀÛÇÑ ½Ä¹°À̹ÌÁö¸¦ ¼ÒÀç·Î ÇÑ º» ¿¬±¸ÀÚÀÇ ÀÛ¾÷¿¡ ´ëÇØ ¼­¼úÇÏ¿´´Ù.

  •